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Antique Hand-held Brass Fan

Antique hand-held brass fan with peacock neck handle
Antique hand-held brass fan with peacock neck handle

I am going to present to you an antique hand-held brass fan which I have collected recently that was used by a rich landlord during the Zamindari system in pre-independence India. This beautiful brass fan is acquired from a gentleman by name Adinarayanan whose great grandfather was working as a chief accountant for a wealthy landlord in present Tamil Nadu state,India somewhere in the pre-independence era or the early 19s.  It was given as a gift by the landlord to his Chief accountant for the services rendered to him. In the days of Rajas and Zamindars, it is a common practice to bestow gifts to the devoted persons as a mark of appreciation and honor. As it was heavy, the owner would have his servant to do the fanning during important social and cultural functions as it was considered a mark of status. It has been in Shri Adinarayana’s family for more than 3 generations.


The Design Of The Brass Hand-held Fan

This hand-held brass fan is designed to give appearance as a fan made out of Palmyra palmtree leaves which is used very common in those days and even now in rural areas of India as it is very handy, light and inexpensive. The fan is round in shape and the handle is designed to look like a peacock neck with the beak clutching the fan. There is a stitching design joining the leaves of the fan.There is a border design all around the periphery of the fan resembling the stitching the borders with a design to prevent the leaves from damage during handling.The whole fan is so ingeniously designed to combine esthetics with functionality.

Antique hand-held fan showing a peacock holding the fan with its beak
Antique hand-held fan showing a peacock holding the fan with its beak
Antique hand-held fan showing a peacock holding the fan with its beak
Antique hand-held fan showing a peacock holding the fan with its beak

The History And Evolution Of The Fan

Man is always in constant search of comfort and happiness. He has devised tools and implements that give him the desired level of comfort and a sense of feeling good. Man has developed ingenious methods to counter the vagaries of nature that make him uncomfortable and developed ways and means to be cozy and comfy.

He invented the primitive umbrella to protect himself from rain and covered himself with animal skin and cloth made out of plant material. To ward off oppressive heat and sultry weather, the primitive man made hand-held fans with dried leaves to create air movement around him to get relief from his discomfort. The very origin of primitive fans most likely was to hasten up the burning of fire and also to chase away the insects that disturbed the man and eventually acquired a prestigious place. For ages, long handled hefty fans were ritualistic symbols of supremacy, the privilege of Kings, Pharaohs and Priests. Even in present times, fans of this magnitude are ceremonially carried in formal religious processions.

The humble primitive fans have taken a different avatars as man improvised different verities with different materials as civilization progressed. He started making fans with feathers, ostrich plumes, ,bamboo, cane, palm leaves, roots, silk and cotton cloth, ivory, wood , fine metals and with as fragile as a butterfly`s wings. To enhance his comfort level, he developed larger fans that can be held and swung by other individuals like his servants and slaves. He also developed remote fanning device like Pankha that can be fixed above him and can be pulled by a rope held by a person sitting in a remote place. With the invention of electricity, man used this wonder power to create the present electric fan that provides him air by pressing a button. The simple fan has taken a very colorful journey through out the growth of civilization by serving the need of a common man to, nobles, kings, queens and gods as well. It became part of religious rituals and a mark of social status symbol.

A hand-held fan made out of fragrant roots called VattiVeru resembling the design of the antique brass hand-held fan
A hand-held fan made out of fragrant roots called VattiVeru resembling the design of the antique brass hand-held fan
Hand –held brass fan showing the design joining the leaves and boarder design around the edge of the fan
Hand –held brass fan showing the design joining the leaves and boarder design around the edge of the fan

Hand Held Fans – My Childhood Memories

 It is considered as a good deed if you gift to someone a fan during the summer seasons of India. In my village Someswaram, Andhra Pradesh, India, Sri Rama Navami, the birth day of Lord Rama is celebrated in great devotion. Normally, this festival falls in the summer months of April or May. As a boy, I used to attend this festival being celebrated in our village temple without fail since I used to get a palm leaf fan and a mango fruit free.

In our area, it is a strong belief that if any one gifts a fan and a mango fruit during the summer season they acquire lot of divine blessings. Imagine someone doing that now in this modern age. Picture yourself walking up to your friend or relative and gifting them a fan and one single mango fruit? How do you think they would react?

Anyways, getting back to the past, sometimes we used to get two or three fans also if there are more than one donor.We never had electricity in our house and the only source of getting some air is by these palm leaf fans.It is a regular even practice in our home that preparation of bed for the night include a leaf fan next to the pillow. We used to do self-fanning with our hands alternately till the fan automatically dropped out once sleep set in.

Truly Multi-Purpose!

This fan has a multi-purpose use. My mother used to use these fans for airing the charcoal stove to get the required flame for cooking food. My grandfather used these fans to chase away the flies during his mid-day mango feasting session.My grandfather was a mango lover and during the season he used to eat 10 to 12 fruits daily during the afternoons after soaking the mangoes in a large brass vessel for an hour to cool them and wash them before eating.

Hand-held Fans In Religious Ceremonies

One of the devotional services rendered during Pooja ceremony to the Gods is Vinjamaramseva. Vinjamaramin Sanskrit means fan. After the Abhishekam (ceremonial bath), Harati (ceremonial camphor flame circled around the god) and Naivedyam(offering of food to the gods), Vinjamaramseva (fanning the god) is done in a traditional pooja.

It is written in Aagamasastra (the scriptures that describe the religious pooja ceremony) how to do a traditional pooja ceremony to different Gods and Goddesses.One of the most important rituals is to wave the fan in front of the God to circulate air around him.This is done in two ways:

the hand-held fans generally made out of wood or bamboo covered with silk cloth with frills around it


With onemade out of metals like brass,silver and gold or with peacock feathers.

Chamaram- The fan made out of the tail hair of the Yak
Chamaram- The fan made out of the tail hair of the Yak


Picture showing chamaram being waved in front of the deity at the ceremonial Pooja time
Picture showing chamaram being waved in front of the deity at the ceremonial Pooja time

There is another type of fan called as chamaram, made out of the hair from the tail of a yak. Chamaram is of a different shape.One end of the Yak hair is inserted into a handle made out of a metal.The other end of the hair is spread out loose.These types of fans are used in the religious Pooja ceremonies of Hindu, Buddhist and Jain temples as well.

The Yak tail hair is considered as sacred.The Yak is an animal belonging to cattle family with long hair found in the Himalayan region of southern part of the central Asia,Tibet, Mongolia and as north as Russia.

Pankha – A Hand Operated Hanging Fan


Pankha is a hanging fan invented by Britishers during their British rule in India to have a constant supply of air to get relief from the oppressive heat in India. Pankha is made in a rectangular shape with a combination of wood and cloth, with or without frills, hung to a ceiling with ropes and pulleys and pulled with a rope to create fanning movement. The pankhas subsequently became a common sight in royal and aristocratic families,in the offices of the Britishers and high ranking officers. The rope is pulled by a rope-puller who sits outside the pankha room and pulls the rope repeatedly in a front and back motion. During the British rule, there was a permanent post called “Pankha Puller”and the person holding that job was a proper government employee in many offices. You must have seen something similar in old Hindi and Telugu movies.

Picture showing the Pankha hanging from the roof of the room with ropes and pulleys in a vintage house
Picture showing the Pankha hanging from the roof of the room with ropes and pulleys in a vintage house

I had this wonderful experience of seeing a Pankha being pulled by a peon in a judicial court. I  completed my class 7(seventh standard, then known as 2nd form) in a town called Peddapuram in Andhra Pradesh in the year 1953 staying in the house of my maternal uncle Shri. Rajapantulu. My uncle used to work for a lawyer and he used to be in the court during the court timings between10.00 AM to 5.00 PM.

If I had to see him for any purpose, I used to go to the court. The court was a huge British type of building with high ceiling and there used to be a Pankha on the ceiling above the place where the judge sits.There used to be apankha puller, an old man with official peon uniform which consisted of a turban, white trouser or dhoti and a white closed neck top, a cotton belt around his waist and a wide cotton belt across his chest resting on his left shoulder and draping on to the right side of the waist holding a brass rectangular plate that is inscribed with the name of his office.

Certain Interesting FactsAbout Hand-held Fans

 – Christopher Columbus brought a feather fan,among other items from newly discovered America and gifted it to Queen Elizabeth.

 – There is a museum dedicated to fans in 12 Crooms Hill, Greenwich,London SE10 8ER..

 -Even in present times,fans of large size are ceremonially carried in Christian papal processions.

So that’s the story of the fan that I acquired. If you have any memories of using one or seeing one used in the days back then, do share your experience or memory of it. Would love to hear from you.

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Antique Coin Toning And Why You Should Know About It

A lot of antique collectors start off with an interest in old coins. Coin toning is a term used to describe the discolouring of coins which happens due to the oxygen in the air and its effects on the metal of the coin.The word of the day today for the budding numismatist is toning. I’m sure the antiquer in you is eager to figure out how toning applies to you and your love for antiquing.If you have a conversation with someone interested in coins, they will give you varied opinions about toning. For some of them, they think that toning is a good idea; it not only reflects age, but it also can add beauty to the coin itself. But some are of the opinion that all toning does it take away from what the coin is supposed to look like.

More than 400 years old antique coin with green colour toning
More than 400 years old antique coin with green color toning

A Bit More About Coin Toning

Basically, coin toning is a process in which the metal that the coin is made of corrodes over time. But before you start worrying about how it affects your collection, it happens really slowly over years and that too only if it’s not packed in vacuum. Natural toning in fact is very pretty in most cases as it changes colour gradually, but sometimes really old coins can turn very ugly as well. You want to keep an eye out for the coins you pick up or buy.

Things You Should Know

There are a few things here to consider though, if you do like the look of toned coins.There is natural toning that happens over the years, but there is also artificial toning that is done by experts in the field, they are known as coin doctors. So the real question here then becomes “What is the value of a toned coin?(be it artificial or natural toning).

When a coin starts tarnishing naturally, it can turn rather ugly, especially if it an old coin. An old coin definitely has more chances of being sold if it presented better after being cleaned and toned and made to look good, shiny and attractive. But on the flip side, considering numismatists are not crows and don’t look for shiny stuff only, there’s always a chance it won’t be popular with them. It comes down to which side of the fence you fall on, on this.

Should you find yourself on the tarnished side of this fence, considering you are a newbie here, what should you be looking for? Coins turn different colours when toned based on the metal that they are made of. Different metals turn different colours.

1912 year coin with black toning
1912 year coin with black toning

Silver coins – Silver, before it tarnishes to a complete dark black, can take on a very beautiful rainbow colours. Sterling silver also corrodes over time, but definitely presents with a completely different set of colours and tones. This difference is most noticeable in the way ancient British and American silver coins looks different even if they belong to the same age.

In the case of silver, the coins turn colours because of the metals that it has been alloyed with. Ancient silver coins are black because of the sulphides the metal reacts with. Sometimes in the case when they are alloyed with copper, they can turn green.

Gold coins – The same way, gold being one of the most inactive metals to make coins with, can end up with a reddish orange colour. By virtue of being gold, it turns dull before any other reactions appear on it.

Year 1908 copper coin with multi-colour toning
Year 1908 copper coin with multi-colour toning

Copper and aluminium coins – Copper can go from the typical orange-brown to a reddish colour to nearly all brown. And Aluminium, one of the most used metals for coin making around the world becomes a dull grey.

In all these cases, if it is a natural tone, it can add value to the coin.

Artificial Toning

The problem with artificially toning a coin is that when the instant colour is applied to a coin in whatever manner; the coin’s value automatically decreases. So, since recognizing a coin that is artificially toned is pretty hard to identify, you want to be careful about buying it for a lot of money.

There are several kinds of artificial toning:

  • Monster toning (wild toning)
  • Target toning (colours that change from the edge of the coin to the centre)
  • Toning in rainbow colours
  • Iridescent toning

This can sometimes make it make a higher grade based on what it looks like.

Figuring Out The Value Of A Coin

It is not very hard actually. All you really need is a coin catalogue to begin with. Most coin catalogues will not just give you information about the coin, but will even give you the value of the coin. Since they are subject to change every year, just make sure that you consult a current catalogue. ‘The Standard Catalogue of World Coins’ is a good place to start if you are an amateur.

If you have the time and the means to do it, try contacting a certified appraiser. An appraiser is someone who is trained to evaluate coins based on their condition. You can contact an appraiser by talking to your local coin dealer.

Last but not least, here is what a numismatist says about buying coins (both ancient and modern) for amateurs:

  • Buy them only from reputed dealers. That way, you won’t get cheated and won’t end up with fake coins.
  • Make sure you keep the bills and receipts and invoices related to the coins you buy along with their history.
  • If you are getting them imported, make sure they are declared and their history checks out.
Very old coin with beautiful bluish green toning
Very old coin with beautiful bluish green toning


Vineetha Rao Suravajjala
Vineetha Rao Suravajjala

Final Thoughts

Just because you see a coin does not mean you have to get it. Make sure you have a full appreciation of what the coin is before you get it.

You are all set then, you are good to go! Happy hunting!

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Antique Glass Jar With Lid

This antique glass jar with lid shown in the picture has subtle curves, clean lines, with bulbous lid handle. The glass container is hard by nature, neutral on pallet and visually gives a relaxed feeling when looked at.The magnificent visibility is a great advantage to identify the contents quickly. This was purchased by my Grandfather Yenugu Krishna Murthy garu in the year 1916 and it is now 98 years old. Garu is a Telugu word used to address elders with respect. I have a lot of emotional attachment to this bottle as it is a companion to me for several years feeding me with variety of snacks.


Antique glass jar with lid- angle view


I lost my father at a young age and I grew up under the care of my mother and grandfather.Though I used to have my regular food from my mother and snacks like onion pakoda, banana bajji and an occasional sweet item Mysore paak, my heart is to crave for snacks like chocolates, biscuits and sweets. For such items the source is my grandfather. My grandfather’s room used to be very attractive for my young heart. There used to be a bed with high pillows,a writing table full of books,ink bottle with dipping pen, lots of books, an agarabatti (incense stick) stand in the shape of an elephant, a Rudraksha mala(a garland of Rudraksha prayer beads) brass and wooden cymbals for doing bhajan and a huge family portrait of Lord Shiva withwife Parvathi, sons Ganesh and Kumaraswamy, his vahanam Nandi and most interesting thing out of all itemsfor me is two cookie jars one  filled with Tapeswaram Kaja (a type of sweet made in town called Tapeswaram which is very famous in those days and even now for the sweet item Kaaja) and one filled with J.B Mangharam brand biscuits, chocolates and peppermints. My grandfather used to take biscuits along with his morning and evening coffee and used to chew peppermints during afternoon times when he used to feel his mouth was dry .Though he never used to take sweets he used to keep them for me and my sister and other children who used to visit us. Whenever we feel like having some snacks we used to go to his room and he used to give us biscuits peppermints and sweets. So my association with these glass jars are very pleasant and whenever I see these bottles I am immersed with nostalgic memories of my grandfather and his room.


Antique glass jar with lid-filled with Tapeswaram kaaja


Antique glass jar with lid- top view


Antique glass jar with “SGF” letters within diamond mark and ” MADE IN JAPAN “ inscription


It is also interesting how he got these beautiful bottles.Those were the days of British rule in India and some of the pockets like Yanam in present Andhra Pradesh and Pondicherry in present Tamil Nadu state were French colonies.My village Someswaram is around 40 miles from Yanam. French used to do their own trading and the foreign shipments used to come to Yanam which has a moderate port. Thehawkers from the villages around Yanam used to smuggle interesting items and sell them in nearby villages carrying them in bamboo basket held on their head. They used to come to our village also and used to come to our house being a regular customer. During one of such visits they brought these beautiful glass jars and my grandfather fell in love with these cute jars at first sight and purchased them.

The imposing antique glass jar   has a stamp embossed on the body as “SGF” with a diamond design around it .Down the diamond design are embossed letters in capital reading as  “ MADE IN JAPAN “. The word SGF stands for the company that manufactured this jar and obviously made in Japan. The lid also has embossed inscription “MADE IN JAPAN”. 


Antique glass jar with lid in inclined position


Antique glass jar without lid


Lid design- showing collar groves lid handle design with knob on the top


The antique glass jar with lid is round Barrel shaped with 6 inches diameter of the barrel and height of 7.5 inches. With the lid it is 9 inches high. The barrel narrows into a neck with an opening of 5 inches diameter at the mouth of the neck. There is a beautifully designed lid to the bottle which fits into the bottle by friction.The neck of the bottle is1.5 inches high and the collar of the lid is one inch high which snuggly fits into the neck of the bottle.There are fine grooves on the surface of the collar which help to have a tight grip and prevent insects.It is almost air tight. There is a beautifully designed knob on the lid with embossed pattern which serves as a grip and decorative appeal. The bottle has vertical mould seems running from top to the bottom of the glass indicating that the glass jar is made with machines around 1915. The handmade blown glass jars will not have the mould seems.

How glass Jars are made?


Glass is made out of sand(silica or quartz), lime stone(calcium) and soda ash. The mixture of these 3 components along with small amounts of ferric oxide, aluminium oxide, sulphur trioxide, barium oxide, magnesia are put is a gas furnace and heated up to 160 degrees centigrade. In some cases boric oxide is added to increase the durability and strength and lead is added for brilliance. The ingredients mix and melt and form into hot glowing molten glass. Normally the furnace runs for 15 years non-stop .With the help of automatic shears the running molten glass is cut into blobs known as “gobs”. The gobs are pushed down into the shape forming machine and the glass is moulded. Air is blown into the moulded glass so as to fit into the mould completely thus forming a jar shape. This partially shaped jar is called “parison”. The final shape of the Jar is done by passing on the Parison to another “blow mould” where air is blown into to get the final required jar shape. Then to make the jar tough and scratch proof, cool air is blown over it and then the jar is coated. The jar is further strengthened by passing it through an oven which is called “Lehr” and by heating it up to 550 degree centigrade.


Glass jar with lid is used as Store counter canister to display biscuits in an Iranian restaurant











“Made in Japan“ inscription on the lid


Multiple Uses of Glass bottle

This antique majestic glass jar can be used for storing and displaying many items. This wonderful see-through container with lid is used as Store counter canister to display prominently. This classic jar is a timeless piece that can be used in any room of the house. This can be used to store sugar, flour, candy, cookies, coffee, tea and snacks and many more. They make excellent cookie jars.  This can be used as a hobby jar to keep items like ribbons and wool which stay clean and dry. Ideal for display, in sweet shop that will give the shop an antique touch. The Iranian restaurants in Hyderabad and Mumbai used to keep their famous osmania biscuits in similar jars for counter display and to keep them fresh. These osmania biscuits go well with the Irani Chai (Tea). Any tourist visit to Hyderabad is not complete without tasting Osmania biscuits with Irani chai and Hyderabadi dum biryani in the Iranian restaurants for which Hyderabad is famous.

Types of glass

There are two types of glass production sheet production and container production. Jar and Bottle manufacturing is a part of Glass container production. The modern glass production uses machines while traditional glass making is done by glass-blowing and blow-moulding. Even now for creative art work and custom designed objects, glass blowing methods are used. Containers such as jars, bottles, tumblers, wine glasses, and bowls are made out of container glass. Glass items like window glass, glass doors, and transparent walls like in show cases are made out of Flat glass. Glass fibre is also made out of glass which is used for thermal insulation, fibre glass material and optical communication.


The lid fits tightly into the mouth of the jar- air tight


Grooves on the collar of the lid



How to find the antiquity of glass Jars

The antique jars will give certain clues and specific characteristics by which one can find out the time when the jar is made.

v  All the jars made before 1860 can be identified by their Pontil scar. The glass blower used to hold the hot jar with a devise called pontil rod to protect himself while the jar is in making. This pontil rod leaves a dark indentation mark or a ring of glass on the base of the jar.

v  The glass jars made before 1915 do not have mould seems since they were not using mould to make the jars.The jars made after 1915 were made with machines with moulding technique have mould seams in the form of a line running from top of the jar to the bottom of the jar.So if the jar has mould marks it is made after 1915.

v  If you find scratches and scars on the bottom side of the glass jar,it was most probably made before 1915 by hand and not by mould. The jars made by mould will contain uniform marks.The handmade jars will have rough surface and seems around it.

How Glass gets its colour

The colouring of the glass is both a science and art.The natural glass has inherent shades of green tint, aqua, and light blue. These colours are produced by the iron content in the ingredients that used in the making of glass.Some ingredients are added to alter the natural inherent colours like manganese for purple; selenium for red, pink; cobalt for rich blue. Different host of colours can be produced by adding several elements used to colour the glass.

Use of glass in high technology products

Liquid Crystal Display (LCD) glass plates are used as components in products such as computer monitors, mobile smart phones,note books,tablets,television screens,microwave display panel.The latest wearable computer  “Google Glass”like a pair of eyeglasses contains a small glass LCD display panel and the main frame is made out of titanium and quality plastic for a lighter weight.

Some Interesting facts about glass


v  Decorative beads were made with glass as early as 12,000 BC by Egyptians.

v  The amount of iron and other colouring agents in the mixture determine the colour of the glass.

v  Up to 300 tonnes of glass can be produced by a single furnace.

v  Every year 1.4 million tonnes of used-glass is transported for land filling. 4.2 billion Jars and bottles can be manufactured if the same glass is recycled or reused.

v  You can recycle glass infinite number of times without the loss of quality.

v  In the year 2003, the recycled quantity of glass is 8, 90,000 tonnes.  2.7 billion Jars and bottles can be made with this amount of glass.

v  The energy saved by recycling one single bottle can power one television for 1.5 hours.



To know about milk glass, the discovery of glass and many more aspects of the glass please click on this link


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How To Acquire Antiques from Genuine Sources – Top Three Tips

The real joy of acquiring an antique lies in identifying an antique at its original source, persuading the owner to partake it and adding it to your collection. In this process, you get to know the source of the item, the genuineness of the item, the owner of the item, the history of the item, and the purpose for which the antique has been used. When we acquire an item from a known source, we can narrate a story around the item. Any antique will acquire its intrinsic value by its history and the story around it. The more  mysterious the story is and the more intricate the history was, the value of the item will be greater. Antiques that do not have a story around them are mere objects and do not have the glamour and emotional bondage that are an essential part  of an antique.

As they say, the journey is more interesting than the destination. Similarly, the drama that takes place in hunting for the antique is more thrilling than the mere acquisition of a piece. Buying an antique from an antique shop with the help of a catalogue and price list is like buying any other item from a shop or supermarket. Buying an antique from a shop is advised only when that particular item is required and is available in that particular store only and nowhere else.  I prefer and enjoy collecting my antiques directly from the source and I share with you the top three methods I use to acquire them.

Explore and Exchange 

Wherever I  go – like a friend’s place, a relative’s house, or any other place , I explore that place with an eye to detect some old item which I assume that they may not be using or is underutilised. I do not make it look too obvious that I am searching for something, but at the same time keep an eye for anything that catches my attention. In my initial days of antique collection, I used to collect whatever was available to me. Slowly, I started collecting only those antiques that have a bearing on our culture and tradition. Now, I specialize in collecting and exhibiting cultural antiques and I specifically look for such type of items. When I see a real antique I get excited, my heart races, and a pleasant burning sensation engulfs me. If I can make a deal and get the item then it is all good. Otherwise that particular item haunts me in my dreams. The very thought that I liked it so much and still couldn’t get it plays in my mind for a long time. It takes time to erase it from my memory. Most of the antiques are acquired by emotion rather than by reason.

I once went to my brother-in-law’s brother’s house to attend a function at Pittahpuram, once the capital of the kingdom of  Pittahpuram Maha Raja in the East Godavari District of Andhra Pradesh, India. My brother-in-law’s name is Shri. Vakkalanka Venkateswara Rao and his brother’s name is Shri. Vakkalanka Madhava Rao. Shri Madhava Rao’s wife’s name is Maniamma garu. His house is more than a hundred years old and many generations lived in that house. These sort of houses are the ideal places for hunting antiques. I started exploring. I went to the kitchen area where Maniamma garu (garu is added to a name in Andhra Pradesh to respect the person of that name) was busy cooking. While I was talking to her, she stretched her hand to pick up some salt from a nearby pot. When I saw the pot my heart raced and started pounding hard and I was excited. It was a China blue and white pottery vase. Immediately something from within me told that my hunt is over and I should work on how to acquire it.

Blue and white porcelain china vase acquired from Maniamma garu.
Blue and white porcelain china vase acquired from Maniamma garu.

I composed myself and asked Maniamma garu casually since when have they been using that Jaadi (jaadi is a local version of porcelain vase) to store salt. She told me that ever since she knew the kitchen, this jar has always been there to store the salt and that it was passed on to her from her mother in-law. Her father-in-law had worked for the Maharaja of Pithapuram many years back. Now my guess was confirmed. The jaadi was very old indeed. I again casually asked her whether she can use a similar new jaadi for storing the salt or is she particular about using only this jaadi. She told me that a jaadi is a jaadi and anything that serves the purpose of storing salt is good enough for her. I immediately came out of the house, went to the nearest market and purchased a porcelain jaadi that is cylindrical in shape having  two colours of brown and white with a shining lid, one size bigger than the Blue pottery one. This new one was similar to the one that the locals use to store Aavakaya, a spicy mango pickle famous in Andhra Pradesh.

I bought the item to Maniamma garu and told her that I bought a new salt jaadi for her and if she doesn’t mind can she give me the old one. She was first surprised and wondered why I took so much trouble in buying a new one for her when the old one was serving the purpose. Then I revealed to her that I like old items and I am collecting such old items from people like her from good families. Then she washed the new jaadi with water mixed with Haldi powder and again rinsed with fresh water and dried the jaadi with a dry cloth. Then she transferred the salt from the old jaadi to the new jaadi and handed over the old jaadi to me. When I reached Chennai, the city I was living in at that time which is the capital of the state of Tamil Nadu, India, I showed the vase to an expert and he confirmed that it is a genuine antique china pottery vase. 

Let Your Friends and Family Members Know Your Passion for Antiques

When you talk to your friends and relatives, be open and talk with passion about your interest in antiques and about your antique collection. Deep passion is something viral and it catches on. When they want to thank you for whatever you have done for them, or they want to express their love and affection to you, or when they want to gift you something for an occasion, they know that the best way to make you happy is to gift you an antique piece.

When I was in Mumbai, my wife’s friend Annapoorna who is from Hyderabad visited us in the year 1992. She was excited to see her friend after a long time. She saw our antique collection and participated in our passionate talk on antiques. Suddenly, she declared that she has one old Brass gangalam which is now stored in the  attic of her house in Hyderabad and that she would love to gift it to us as a gesture of her encouragement. She further said that the gangalam will look better in our collection rather than lying unnoticed on their loft. She told us that whenever we visit Hyderabad, we should visit her house and collect the Brass  gangalam. We thanked her and the conversation drifted to something else.

After three months from this incident, we happened to go over to Hyderabad and informed her that we were in Hyderabad. She invited us for dinner and after a well spent evening with her, her husband, and children, we got up to leave her house. She asked us to wait for a minute and called her servant and instructed her to go up the attic and bring down the brass gangalam. She further told the servant to clean it up and put it in our car.  We were surprised that she remembered her word given to us at Mumbai and were happy to know that she meant it. As a courtesy, we politely told her that we will take it later. But she insisted that we stay a little longer and take with us her gift.

Annapoorna Brass gangala gifted by Annapoorna.
Annapoorna Brass gangala gifted by Annapoorna.

Of course, we happily stayed for some more time and collected the gift. It is a beautiful Brass gangalam that was mostly keep at the entrance of the house in good old days filled with water so that whoever enters the house will first wash their feet and then only they enter the house. This was a tradition in the good old days. When we first saw the brass gangalam it was almost black in colour due to long storage and oxidation. We wanted to know the age of the gangalam but what Annapoorna told  us is that she got it from her mother and her mother got it from her mother in turn. She said that it is there since 4 generations in their family. We brought it to our Mumbai residence and got it cleaned. It is now a proud possession in our house. We affectionately call it “Annapoorna Gangalam”.

Attend Local Exhibition cum Sales Events

 I closely follow the newspapers and magazines for information on exhibitions cum sales events happening in the city. These advertisements normally fall into the following three categories:

1. Families that want to reduce or dispose part of their collection

2. Families that are shifting to a new location within city or to other cities

3. Families that are leaving the country and settling abroad

Most of the people falling in the above three categories want to sell their valuable collection. I invariably visit these sales since it gives me an opportunity to buy the antiques from a known source and when purchased I can ask them the history and related story about the antiques. I also generally get them at a very reasonable price since the people who leave the country to settle abroad have to clear their items within a set time. Most of these sales will be for one day only. Hence, I make it a point to go with adequate cash to purchase the item on the spot if a deal is struck. If you are interested in having a wide selection, you have to go early and clinch the deal. Of course the first half of the day’s sales will be at a relatively higher price, and as the evening sets in the prices start getting reduced, but you will have the limited choice. I have acquired most of my collection through such “Sales”.

Once I attended a sale in Madras (now renamed as  Chennai ) by a family who were leaving India to settle abroad. I saw a beautiful stone sculptured statue of a lady drummer similar to the sculptures of Konark temple. The sculpture was very captivating with a gracious posture, enchanting hair style, and well-rounded body curves. I asked the house owner as to what is the price for the sculpture. He said it is priceless. Then he added that I can give him whatever I value I feel is right for that piece since he has to close the sale that evening. I could see how much feeling of separation he had felt to part with that piece. I gave him whatever I thought at that time was a reasonable price is and came out with that lovely statue. You can have a look at that wonderful stone statue.

Beatiful stone sculptured statue of a lady drummer purchased in a sale.
Beatiful stone sculptured statue of a lady drummer purchased in a sale.

These are just a few tips and experiences that I have written down. I’m sure you will have your own experiences to share. Feel free to drop in your comments and suggestions. I will be glad to read them and reply. 

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